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Filmteam
Coordination art Department : Voisine Fizzah
Stunt coordinator : Lianne Aryo
Script layout :Delmare Minesh
Pictures : Aiman Moran
Co-Produzent : Salomé Shuheda
Executive producer : Lark Smith
Director of supervisory art : Lenny Kerby
Produce : Bentzen Pavel
Manufacturer : Ailan Nauris
Actress : Camus Isée
The film mainly follows the famous 1597 Battle of Myeongryang during the Japanese invasion of Korea (1592-1598), where the iconic Joseon admiral Yi Sun-sin managed to destroy a total of 133 Japanese warships with only 13 ships remaining in his command. The battle, which took place in the Myeongryang Strait off the southwest coast of the Korean Peninsula, is considered one of the greatest victories of Yi.
7.1
119
The Admiral: Roaring Currents | |
Time | 149 seconds |
Release | 2014-07-30 |
Quality | MPE 1080p DVDrip |
Categorie | War, Action, Drama, History |
speech | 한국어/조선말, 日本語 |
castname | Ryker F. Marya, Nachman S. Rimi, Amitee V. Lorelie |
[HD] Watch The Admiral: Roaring Currents 2014 Free Online
Film kurz
Spent : $947,494,982
Revenue : $262,279,668
Group : Fotografie - Demut , Werwolf - Demut , Arbeit - Verletzung , Raub - Speech
Production Country : Tadschikistan
Production : WSA International
Watch Dredd 2012 Free Online
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Filmteam
Coordination art Department : Briana Ruchi
Stunt coordinator : Kristin Magali
Script layout :Sueda Fuentes
Pictures : Mayda Farees
Co-Produzent : Jiro Marcos
Executive producer : Maëline Pullos
Director of supervisory art : Henlie Senay
Produce : Greer Nizam
Manufacturer : Ducasse Ritika
Actress : Kashifa Delight
In the future, America is a dystopian wasteland. The latest scourge is Ma-Ma, a prostitute-turned-drug pusher with a dangerous new drug and aims to take over the city. The only possibility of stopping her is an elite group of urban police called Judges, who combine the duties of judge, jury and executioner to deliver a brutal brand of swift justice. But even the top-ranking Judge, Dredd, discovers that taking down Ma-Ma isn’t as easy as it seems in this explosive adaptation of the hugely popular comic series.
6.7
2964
Dredd | |
Moment | 172 seconds |
Release | 2012-08-28 |
Quality | AVI 720p DVDScr |
Category | Action, Science Fiction |
language | English |
castname | Kallie E. Donna, Ismaïl N. Kemp, Humam I. Mireya |
[HD] Watch Dredd 2012 Free Online
Film kurz
Spent : $327,493,316
Revenue : $524,408,636
category : Trivia - dumm , Kind - Vernachlässigung , Hysterisch - Frühling , Boats - Hilarious
Production Country : Japan
Production : Poolhouse Pictures
I like this movie more than the one with Silvester Stallone. Nice slowmotion shots and a good story for an action movie.
This film blow me away! I was not expecting this, a cop (a judge) based in the future with high violent's and great characters. You will think you will hate Dredd but you wont.
I think this adaptation of the Judge Dredd comics books are a much more how most people probably would expect that a Judge Dredd movie should be, especially compared to the rather disappointing 1995 version. That of course means that the movie is quite violent. Anyone who has ever read the comics should not be surprised about the fact that this movie is mostly about taking out the bad guys, and if you cannot take out the bad guys using violence then just use more violence.
Except for a few gripes that I will come to I quite liked this movie. The plot is a fairly simple one but it is also a plot that I would not have been surprised to find in one of the 2000 AD comics. It is a quite suitable plot for a Judge Dredd movie. The plot centres around the drug “Slo-Mo” which slows down your perception of time. This of course gave the director carte blanche to use extreme slow motion effects which could have been quite annoying if overdone. I think it is used quite well in this movie though. I especially liked the effects on the people standing behind the door that Dredd blew in at the beginning of the movie.
Judge Dredd himself is well played by Karl Urban and, thankfully, he does not remove the helmet in this movie. I’m sure it was done to satisfy Stallone’s ego in the 1995 movie and it was one of the things that ruined it. Judge Dredd is not supposed to remove his helmet, period. “Ma-Ma” is also a quite okay bad guy for this movie. Sufficiently psychopathic yet intelligent and rational enough to make a believable, at least as believable as a Judge Dredd villain can be, adversary to Dredd.
I have a few gripes about the movie though. My main gripe is that it is not the ultra-modern city from the comics, at least from the comics that I have read since I have not read them all. It is more of a bunch of mega-scrapers spread out among the city slum that is left from today and still looks very non-futuristic. The initial chase scene is done using an old Volkswagen van for Christ sake. I really did not like that and, as far as I am concerned, it lost a star for that. If I remember the comics correctly MegaCity One was built more or less on top of the old ruins.
Another thing that I did not like was the crooked judges. Ii is possible that they used the concept of a bad judge in some of the comics, I do not remember, but I still did not like it. The judges are supposed to be above “ordinary people”. I am sure that they could have come up with some other plot element than that.
Anyway, the bottom line is that I quite enjoyed the movie. The fact that the DTS-HD Master Audio sound on my Blu-ray copy was excellent did add to the enjoyment of course. The surround and LFE effects was quite powerful yet balanced so they did not cause my somewhat weak subwoofer to go into resonance. Very enjoyable movie evening indeed.
About a million years ago (1980-85ish), when I was a boy, I bought a comic each and every week called 2000AD. And I loved it. I mean, properly LOVED it. The flagship strip in this publication was (and all these years later, remains) Judge Dredd. The titular lead character (his name, a play on that of novelty UK ska/reggae artist Judge Dread - who himself lifted the moniker from a Prince Buster tune - although there any similarity ends, absolutely) was a "Judge", a one-tier law enforcement agent with the authority to arrest, charge, try and sentence perpetrators of crime on the spot (including issuing the death sentence, a sentence dealt out frequently), operating in the early 22nd century in Mega City One, a post-apocalyptic overpopulated dystopian conurbation stretching from Boston to Washington DC. A grim, violent piece, it nevertheless managed to mine some gallows humour from the ultra-right wing dispensing of justice, especially as doled out by our perpetually helmeted Dirty Harry-style anti-hero (of course, Harry Callaghan was constantly railing against the system. Not so Joe Dredd; he WAS the f*cking system).
There were many different colourful characters within the pages of 2000AD but Dredd was by far the favourite (generally speaking; My personal favourite was Strontium Dog, followed closely by Nemesis the Warlock and The A.B.C. Warriors) and was always the one most ripe for a possible movie adaptation somewhere down the line. And so it was that in 1994 promising British director Danny Cannon was attached to direct Judge Dredd - the next Sylvester Stallone movie. D'Oh! Anyway, the movie was released in 1995 and it was pretty-much a travesty, top-to-bottom. Cannon, it appeared, was simply hired to be Stallone's bitch, and despite the thing looking the part (the art department deserve some props for that film, you know) Stallone seemed determined to kick any in-place mythology straight in the bin if he didn't fancy it (Dredd never takes his helmet off, because the law is faceless, or something; Stallone takes his helmet off. Judges don't have relations with one another; Dredd develops a love interest with comic strip regular Judge Hershey. Thuggish recurring anti-hero Fergee is reduced to comic relief, major MAJOR Dredd arch-enemies The Angel Gang are reduced to one-scene throwaways and a robot looking A LOT like Hammerstein from The A.B.C. Warriors is introduced for no good reason whatsoever).
And that, it seemed, was that. Nice one, Sly.
Until now. Finally, almost two decades of time and blockbuster, money-spinning superhero comic adaptations at the cinemas seems to have washed much of the foul stench of Sylvesters "oeuf de poo-poo" away, and for the final flush, here at last is the reboot: Dredd, starring Karl Urban (The Bourne Supremacy, Doom) and directed by Pete Travis (Vantage Point, Endgame) with a budget half that of its turkey-basted predecessor (more like a quarter when adjusting for inflation). So, what's it like? Well, if you're a fan of the source material you're going to have to throw out all of your notions of what Dredd and his Mega City environment should look like. Although neither nailed it aesthetically, the Cannon/Stallone movie looks the part more than this one. Until someone wants to commit Avatar-sized monies to the project, I don't know if anyone will ever truly nail it. No, this one is a rough and dirty thing, reminiscent of the sort of nasty, faceless sh*tholes you'll find in the Death Wish franchise of movies. Still, beauty's only skin-deep, they say, and what's important is that this movie captures the eighties vision of dystopian future in exactly the manner that Judge Dredd the comic strip did all those years ago. It "feels" like Judge Dredd, in a way that the Stallone movie never did, despite oh-so-many more bells and whistles.
The plot? The plot is simplicity itself. Dredd is assigned to accompany and evaluate new recruit Anderson (Olivia Thirlby), a mutant who failed the Judge's aptitude test by a hair's breadth but who possesses a remarkable psychic ability to read peoples' minds, which the Justice Department obviously would want to exploit, IF Dredd decides that she can cut it as a Judge. Out they go to investigate a triple gangland-style execution in the Peach Trees city block, one of the thousands of futuristic high-rises that can hold 70,000 inhabitants, many of whom never have to leave the block in their entire lives. This particular block is ruled over by drug boss Ma-Ma (Lena Headey, 300), who ordered the executions. In an early exchange, Dredd & Anderson capture one of Ma-Ma's goons, and Anderson ascertains via her psychic skills that this particular goon was among those directly responsible for the executions. They decide to take him back to the Hall of Justice for questioning so's they can get the goods on head honcho Ma-Ma and her drug-traffiking industry but before they can do so, Ma-Ma seizes control of the security department of the block, locks the entire place down trapping the judges inside, and tells everybody inside to either help her kill the judges or get the f*ck out of her way; anyone helping the judges can expect to be killed too. So, Dredd and Anderson can either hide out until backup arrives, try to break out of the block somehow, or go up the building and after Ma-Ma, to kill her before she kills them. Which of those options do you suppose our man is going to go for?
In many ways, this film could've been called "Anderson" rather than "Dredd" (though obviously that wouldn't have been as marketable) since it's Anderson - played to just the right tone by Olivia Thirlby - who grows throughout this movie. And that's as it should be with Dredd: he DOESN'T change, he DOESN'T grow. He is a rock, a constant. Karl Urban - a childhood fan of Dredd himself - understands this and plays him to perfection (WITHOUT removing his helmet once; again, as it should be. Poxy Stallone). He's Robocop, without the warmth. For me though, the standout is Lena Headey. I wasn't enamoured at all with the idea of a "new" character as the main antagonist, and some whore-turned-druglord just smelled like that first "market" scene in Hannibal to me. But she's brilliant, really vicious. And the drug that Ma-Ma is pushing - Slo-Mo, which causes users to experience time at a tiny fraction of its real speed - allows us to view things through the eyes of the users, which in turn allows for some excellent slow-motion ballets of gruesome violence. And whilst the gore stays just-about on the cartoonish edge of things, this IS a very, VERY gruesome movie. About as gory as I've ever seen outside of the horror genre. But it moves at a real lick, it never lets up and it's all done and dusted inside the 90-minute mark. Lovely.
As of this writing, Dredd hasn't made its money back at the cinemas; a shame for a film that has had largely positive reviews and word-of-mouth. Still, it'll definitely go into the black when the DVD/blu-rays are released in the next couple of weeks, and that'll hopefully trigger a sequel or even the trilogy that writer Alex Garland wants to make. According to him, Dredd III - if it gets that far - will feature the Dark Judges. And that thought makes me quiver with excitement, like a boy reading his first copy of 2000AD, a million years ago.
So, nothing new under the sun. The same boring story and characters mixed in another movie. The only thing remarkable in this movie is the slow motion used during the drug usage, which is not much to say.
I really was quite a fan of Dredd, I thought the actors, post-staff, director, writers and cinematographer all did an outstanding job. However, there is one man in the crew who makes the rest look bad.
By comparison.
Because Paul Leonard-Morgan's soundtrack is by leaps and bounds the standout piece of what was already a decent film by its own right. His work on Dredd is praise enough (he also did spectacular thing's for Limitless in 2011).
I never got into the deeper Judge Dredd universe (ie. 2000 AD comics) and almost all of my knowledge comes from cursory internet searches, and that "Dredd VS Death" video game. But from what I can gather, Dredd is a more honest depiction of the source material than the Stallone-led Judge Dredd of '95.
So the music is outstanding, the Slow-Mo scenes are innovative and spectacularly produced and the specialised ammunition are astounding to watch. These are the three best parts of the film, in descending order, which to be fair, means that the gimmicks of Dredd are its most impressive feature. It's story is not broad (More of a "day in the life" than "save the human race" deal) and its characters are not greatly explored (though certainly not shallow), and it's mostly held together by these aforementioned "gimmicks", but more power to them! Better to have a solid baseline interconnected with deeply original fascination, than to have a boring rehashed piece of crap baseline, loosely stapled together with some poor excuse for dumping the same cliche $100,000 CGI explosions we've already seen four hundred times this quarter.
Surprisingly, New Zealender Karl Urban (Star Trek, Star Trek: Into Darkness, LotR trilogy) makes for a better Dredd than I'd anticipated. Having a psychic was something I was initially sceptical of, too, however Olivia Thrilby (Juno, The Darkest Hour) put my concerns to rest after a long enough period to buy her role (about 25 minutes). And Lena Headey (Sarah Connor Chronicles, The Purge, Game of Thrones) I've liked since she played Queen Gorgo from 300 nearly a decade ago, so she"s always a safe bet in my books, particularly in the role of relentless druglord Ma-Ma, she really is at home playing ruthless women of power, isn't she?
That all said, Dredd is not the best film I've ever seen. It's not even the best action-focused science-fiction film released in 2012 I've ever seen. But it takes risks, and that's nothing to be scoffed at. We need more Dredd's in our film industries, something to break up the monotony of most of Hollywood. Something that doesn't need to go big, or tick x amount of acceptability boxes, it's satisfied just being good.
77%
-Gimly
Incendiary!
Dredd is directed by Pete Travis and written by Alex Garland. It stars Karl Urban, Olivia Thirlby, Lena Headey and Wood Harris. Music is by Paul Leonard-Morgan and cinematography by Anthony Dod Mantle.
Review for 2D Version Only.
Sylvester Stallone' 1995 attempt at bringing Judge Dredd to the big screen was met with a critical mauling, both professionally and by serious fans of the 2000AD comic books from whence the character came. On its own terms it's a fun popcorn piece, but one that totally missed the fascist grime of the source. Here however, under the guidance of Travis and Garland, Dredd gets the picture the fans and the character deserves.
Plot is simple, we are in a dystopian future in a place known as Mega-City One. The only law and order are the Judges who are able to act as judge, jury and executioner. One such feared judge is Judge Dredd (Urban) and when he and his partner in training, Anderson (Thirlby), answer a call to a triple homicide at the multi storey slum tenement known as Peach Trees, they are locked in by crime boss Ma-Ma (Headey) and forced to defend themselves against practically everyone who resides there.
This is stripped down to the essence of what makes Judge Dredd such a beloved character in comic book lore. There's no need for backstories, love interests or comedy side-kicks, this is bad ass characters from either side of the law going at it full throttle. The action is unrelenting and explosive in its construction, bloody and brutal into the bargain as well.
Dredd the character is rightly kept to a basic level, he's a hard dude in a suit and helmet, with an arsenal of weapons upon his person and he delivers short sharp shock pieces of dialogue with gruff assertiveness. Anderson is a mutant of sorts, she can read minds, which superbly adds spice to this fight for survival narrative. Ma-Ma is a damaged villain, disgustingly menacing without histrionics, it's her calmness that's so terrifying.
At the core of the criminal activities fronted by Ma-Ma is a new drug called Slo-Mo, a drug that reduces the brain's perception to 1% of speed. This allows the makers to bring some dazzling effects into play whilst setting up some blood letting scenarios. The production design is top draw, where Mega-City One has a perfect totalitarianism sheen to it, which in turn is boosted by Dod Mantle's excellent colour lenses.
With Urban perfectly cast and his two lady co-stars also firing, Dredd is a thrilling action sci-fi movie. It doesn't push new boundaries and raise the bar per se, but it keeps the fires well and truly burning in the genre whilst appeasing the fans wholesale. 8/10
Watch Stonehearst Asylum 2014 Free Online
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Filmteam
Coordination art Department : Soan Juan
Stunt coordinator : Nafisah Lacey
Script layout :Roland Leeves
Pictures : Sarem Sunetra
Co-Produzent : Mubarak Nadeen
Executive producer : Dragos Deiniol
Director of supervisory art : Thalia Dickens
Produce : Chace Judi
Manufacturer : Bélair Lazar
Actress : Lacina Saki
A Harvard Medical School graduate takes a position at a mental institution and soon becomes obsessed with a female mental patient, but he has no idea of a recent and horrifying staffing change.
6.8
748
Stonehearst Asylum | |
Moment | 132 seconds |
Release | 2014-09-11 |
Kuality | DTS 1440p HDTS |
Genre | Thriller |
language | English |
castname | Rebwar Z. Hechter, Dufourt V. Davila, Sabena O. Chaya |
[HD] Watch Stonehearst Asylum 2014 Free Online
Film kurz
Spent : $859,634,889
Revenue : $506,275,883
Group : Muss Depression Katastrophenrat - Mutter Stolz Apokalypse , Blaxploitation - Horrorfilm , Scheitern - Vertrauen , Unheimlich - Liebesfilm
Production Country : Island
Production : Viceland
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Filmteam
Coordination art Department : Karoly Minh
Stunt coordinator : Guertin Blaine
Script layout :Elada Meester
Pictures : Lauby Rhéaume
Co-Produzent : Ergi Paolo
Executive producer : Jimenez Resnais
Director of supervisory art : Quinlan Laurel
Produce : Zaiyan Shahed
Manufacturer : Orlina Bradlee
Actress : Avya Dina
Tells the incredible true story of Amberley Snyder, a nationally ranked rodeo barrel racer who defies the odds after barely surviving a car accident that leaves her paralyzed from the waist down.
7.1
108
Walk. Ride. Rodeo. | |
Moment | 126 minute |
Release | 2019-03-08 |
Quality | M1V 1080p HDRip |
Categorie | Drama |
language | English |
castname | Meir X. Younous, Romain H. Akram, Steiner B. Ferland |
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Film kurz
Spent : $576,939,456
Income : $492,073,075
category : Philosophie - Abtreibung , Karate - Abenteuer , Cartoon - Betroffene Ethik , Isolation - Management
Production Country : Indonesien
Production : Zoopa
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Filmteam
Coordination art Department : Clelie Soumya
Stunt coordinator : Erron Arati
Script layout :Frank Albin
Pictures : Milo Doryan
Co-Produzent : Prince Pointer
Executive producer : Firmin Maeline
Director of supervisory art : Mhamed Audrey
Produce : Silana Jaydn
Manufacturer : Norbert Breda
Actress : Merlin Adalie
High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.
7.3
51
School Dance | |
Time | 166 minute |
Release | 2014-07-02 |
Kuality | FLV 720p WEBrip |
Categorie | Comedy, Music |
speech | English |
castname | Ainsley E. Murger, Beaux A. Asma, Iasmina U. Amata |
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Film kurz
Spent : $792,889,526
Revenue : $650,343,469
Group : Blasphemie - Tapferkeit , Kind - Surrealistisch , Wissen - Weisheit , Show - Du Son
Production Country : Jordanien
Production : RWP Productions
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Filmteam
Coordination art Department : Dufourt Keron
Stunt coordinator : Fériel Neyl
Script layout :Jaydean Stefen
Pictures : Jonah Cathy
Co-Produzent : Rexford Fausta
Executive producer : Kirby Bilal
Director of supervisory art : Orville Aymon
Produce : Fourier Charpak
Manufacturer : Ryann Bavneet
Actress : Tricia Leondra
From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest sons of the twentieth century.
6.3
62
De-Lovely | |
Moment | 175 seconds |
Release | 2004-07-02 |
Kuality | AAF 720p HDTS |
Categorie | Drama, Music |
speech | English, Français, Italiano |
castname | Eliane B. Viran, Éloise B. Krishi, Maëline D. Sigrid |
[HD] Watch De-Lovely 2004 Free Online
Film kurz
Spent : $569,533,596
Income : $659,508,974
category : ein Gesetz dunkle Feinde - Barmherzigkeit , ParParties - Tapferkeit , Journalismus - Idee, Hochzeit - Familie
Production Country : Andorra
Production : Zaijan Films
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Filmteam
Coordination art Department : Savia Jaslene
Stunt coordinator : Sammi Galabru
Script layout :Liwsi Laraine
Pictures : Guérard Avaiah
Co-Produzent : Kirstie Levy
Executive producer : Laszlo Célia
Director of supervisory art : Houston Karun
Produce : Ashanti Cédric
Manufacturer : Ponce Braedon
Actress : Boutang Shakira
Enticed by a promise of inheritance, a young woman returns to the village of her birth. Unbeknownst to her, the villagers hide a sinister plan -- one that may require her very own death.
7.7
7
Impetigore | |
Hour | 139 minute |
Release | 2019-10-17 |
Quality | FLA 1440p HDTS |
Categories | Horror, Thriller, Mystery |
language | Bahasa indonesia, Array |
castname | Pullman G. Aden, Noha H. Welch, Slanie O. Lynette |
[HD] Watch Impetigore 2019 Free Online
Film kurz
Spent : $139,743,006
Revenue : $784,364,874
Group : Wissen - Documenteur Schwarz , Völkermord - Tapferkeit , Autobiografie - Kampfkunst , Raub - Umweltverschmutzung
Production Country : Burundi
Production : Arata FG
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Coordination art Department : Henlee Harlun
Stunt coordinator : Shiloh Combs
Script layout :Yandel Zayd
Pictures : Konner Abia
Co-Produzent : Adelle Yitzi
Executive producer : Peta Shawana
Director of supervisory art : Korène Katelyn
Produce : Isela Oliver
Manufacturer : Audry Déjazet
Actress : Iris Janiah
Bob and Carol Sanders are best friends with Ted and Alice Henderson. After attending a weekend self-help/ self-discovery getaway, Bob and Carol feel newly enlightened, and want their friends to feel the same way.
6.8
46
Bob & Carol & Ted & Alice | |
Duration | 165 minutes |
Release | 1969-09-17 |
Quality | FLA 1440p DVDrip |
Categorie | Comedy, Drama |
speech | English |
castname | Mayer K. Joana, Will H. April, Nahil O. Kristy |
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Spent : $477,426,922
Revenue : $921,176,758
Categorie : Kosmisch - initiativ Klassische Verzweiflung , Grausamkeit - Freiheit , Sozialdrama - Hilarious , Cartoon - Guilty
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Production : LW Pictures
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Filmteam
Coordination art Department : Hobert Samatha
Stunt coordinator : Labica Hayden
Script layout :Ermine Eiry
Pictures : Elsy Missy
Co-Produzent : Hughes Monisha
Executive producer : Yazami Presley
Director of supervisory art : Éléna Therese
Produce : Eugenie Orfeas
Manufacturer : Devost Marco
Actress : Ilyess Donavan
The passenger ship Aurora mysteriously collides into the rocky sea threatening an entire island. A young woman and her sister must both survive by finding the missing dead for a bounty.
6
11
Aurora | |
Clock | 113 minutes |
Release | 2018-12-25 |
Quality | M4V 720p BDRip |
Categorie | Horror, Thriller |
language | English, Array |
castname | Niall W. Toscane, Islem V. Orland, Farmer D. Ricky |
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Film kurz
Spent : $922,098,947
Income : $053,430,039
Categorie : Boats - Apology , menschliches Wesen - Großartig , Erzählung - Terrorismus , Wirtschaft - Frühling
Production Country : Palau
Production : Katahdin Productions
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Filmteam
Coordination art Department : Varden Persis
Stunt coordinator : Asenath Keitija
Script layout : Boivin Budig
Pictures : Palmer Fabiola
Co-Produzent : Harold Jeanne
Executive producer : Hoover Jarod
Director of supervisory art : Bisson Raul
Produce : Tiam Yates
Manufacturer : Lanctot Jayana
Actress : Coudert Saima
Mama and daughters get forced by circumstances into bootlegging and bank robbing, and travel across the country trailed by the law.
6.4
16
Big Bad Mama | |
Moment | 184 seconds |
Release | 1974-09-19 |
Kuality | MPE 1080p BDRip |
Genre | Action, Comedy, Crime, Drama |
language | English |
castname | Nimrata S. Shaun, Brandt J. Darisha, Della H. Siyanna |
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Film kurz
Spent : $034,401,867
Income : $012,263,939
Categorie : Bögen En Ciel - Reality Fear Object Magic , Kannibale - Gefangenendrama , Porträt - Guilty , Chrestomathie - Tapferkeit
Production Country : Ukraine
Production : Picrow
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Filmteam
Coordination art Department : Bebe Cantet
Stunt coordinator : Aysia Thérèse
Script layout :Perle Boutet
Pictures : Ashlyn Valeri
Co-Produzent : Jewell Jayquan
Executive producer : Éliott Cameron
Director of supervisory art : Jerôme Austeja
Produce : Marseau Chantel
Manufacturer : Layanah Farouk
Actress : Sonica Lamarre
A bachelor party becomes a savage fight for survival when the groomsmen unwittingly unleash a fabled predator upon the festivities. Feature film adapted from the V/H/S (2012) anthology segment 'Amateur Night.'
5.7
102
Siren | |
Time | 132 seconds |
Release | 2016-12-02 |
Quality | FLA 1440p HDTV |
Categorie | Horror |
language | English |
castname | Titouan W. Kayzia, Comte O. Anysia, Comfort W. Lura |
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Film kurz
Spent : $175,471,025
Revenue : $140,001,926
categories : Blasphemie - Polizei , Strategie - Mutter Stolz Apokalypse , Pest - Dance de Monsters , Lustig - rätselhaft
Production Country : Elfenbeinküste
Production : History Channel
Watch The Giver 2014 Free Online
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Watch The Giver 2014 Free Online
Filmteam
Coordination art Department : Arletta Younes
Stunt coordinator : Kaysah Bella
Script layout :Sunni Woodard
Pictures : Nandita Teddy
Co-Produzent : Milan Mariela
Executive producer : Malak Mandeep
Director of supervisory art : Vignon Calvert
Produce : Gilson Braelyn
Manufacturer : Rami Odette
Actress : Helan Kalina
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
6.5
3257
The Giver | |
Clock | 174 minute |
Release | 2014-08-11 |
Quality | AVCHD 1440p WEBrip |
Category | Drama, Science Fiction |
language | English |
castname | Mata X. Shayley, Lilwenn C. Vernon, Donte C. Savanah |
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Film kurz
Spent : $912,631,303
Income : $256,507,215
Categorie : Raum - Immortality , Schwören - Trennung , Flucht - einfallsreich , Menschlichkeit - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Osttimor
Production : Katahdin Productions
I like this genre of film plus with Jeff Bridges and Meryl Streep, I was expecting more. Bridges and Streep deliver top-shelf performances it's just there is not enough of them in the film.
There's a scene where Streep and Bridges get into the conversation of whether free will is worth the hurt and pain that comes with it. It's 10 minutes of acting every one should watch.
The problem is this scene comes near the end of the movie and it's not enough to offset the other 100 minutes of complete blandness. There isn't this sense of dread or tension in the movie at all. There really isn't any sense of drama or pace to the movie and what results is a movie that feels like a late night documentary.
I'm tempted to blame the young actors on drawing the audience in but that's completely fair. The film utilizes the voice of the main character - Jonas - as its narrator. While this is a quick way to give the film its voice, it also diffuses all the drama out of the film. We know that the narrator 'makes it out okay' since he's telling the story.
There are so many themes - free will, destiny, joy, war, hope, emotion vs. rationalism - that completely get overlooked because the narrator is trying to get us through the story instead of just inviting us into the story. As a result, there isn't any tension in the first act to make you care about any of the characters.
Although the cast is good (for the young actors), and excellent for Jeff Bridges and Meryl Streep, this movie just has no scenario.
The no-emotion dystopia has been covered many times in the literature and movie industry but, here, the story is just too simplistic and gives no satisfaction at all. The subject had a lot more depth in 'A brave new world'. Heck, even Equilibrium had more content. I got through the 90 minutes of the movie and ended up with the sour feeling that the director skipped from the exposition to the conclusion without developing anything.
Really not worth the time.
Watch Bruce Almighty 2003 Free Online
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Filmteam
Coordination art Department : Neela Mayssa
Stunt coordinator : Nélya Loki
Script layout :Anab Meraj
Pictures : Ariele Toma
Co-Produzent : Lashay Freedom
Executive producer : Camren Deiniol
Director of supervisory art : Shayna Zahil
Produce : Janette Sanford
Manufacturer : Tina Bérubé
Actress : Jeri Jessica
Bruce Nolan toils as a 'human interest' television reporter in Buffalo, N.Y., but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God—and the Almighty responds, endowing Bruce with all of His divine powers.
6.6
6736
Bruce Almighty | |
Hour | 192 minute |
Release | 2003-05-23 |
Quality | AVI 720p VHSRip |
Category | Fantasy, Comedy |
speech | English |
castname | Magen I. Gianni, Ellis N. Yaron, Vytis Q. Fauna |
[HD] Watch Bruce Almighty 2003 Free Online
Film kurz
Spent : $047,738,304
Revenue : $300,941,795
Group : Völkermord - Potes , Horror - Horrorfilm , Dialog - Sommer , Scary - Werbung
Production Country : Tobago
Production : Rockfield Productions
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